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Final Competition Judges April 27, 2012

at the Fabulous Fox!

Ken Page, a St. Louis native in a career spanning forty years, has worked in nearly all areas of the entertainment industry on two continents. Ken made his Broadway debut in 1976 in the all-black revival of “Guys & Dolls”. His rousing gospel rendition of “Sit down Your Rockin’ the Boat” earned him unanimous critical praise and the coveted “Theatre World Award”. His stage credits are far too numerous to list here but include Broadway, London’s West End, and St. Louis’ own Muny. Additional awards: New York Drama Desk Award and a Kevin Kline. In concert appearances include Carnegie Hall, Lincoln Center, the Grand Ol’ Opry and Caeser’s Palace. Motion Picture credits include: “Dreamgirls”, “Torch Song Trilogy” and voices for characters in “All Dogs Go To Heaven” and “Nightmare Before Christmas”. Television credits include: Ain’t Misbehavin’-NBC, Duke Ellington-The Music Lives On-PBS, and Cats- PBS. Mr. Page’s concert “Page by Page” is performed across the country and has been released on CD. Ken can be heard on seventeen Original Cast and/or Soundtrack Recordings. Mr. Page attended Fontbonne College. For a complete list of Ken’s credits please visit here.

Phyllis Smith is a native St. Louisan and longtime ensemble cast member in NBC’s hit series “The Office.” Phyllis got her start in the entertainment industry working for casting agencies with clients such as "Curb Your Enthusiasm," "Arrested Development," "Spin City," and NBC's pilot of "The Office." Most recent Acting Credits: "Bad Teacher," "Butter" and "Alvin and the Chipmunks 3: Chipwrecked." Additional acting credits include: "Arrested Development," the box-office hit "The 40 Year Old Virgin" and the independent film "I Want Someone to Eat Cheese With."

Smith, a former St. Louis Cardinals cheerleader, received full scholarships in dance from Kansas University and Tulsa University and she holds a bachelor's degree in elementary education from the University of Missouri, St. Louis. She was also a ballet dancer with the St. Louis Civic Ballet and the St. Louis Dance Theater as well as a professional jazz dancer under Raoul Appel. Phyllis attended Cleveland High School.

Steven Woolf is the Artistic Director of The Repertory Theatre of St. Louis. He received his B.A. in theatre and M.F.A. in directing from the University of Wisconsin at Madison and was awarded an honorary doctorate by the University of Missouri St. Louis. Steve has directed countless shows at The Rep, most recently RED (Kevin Kline Award winner for Outstanding Director of a Play) and A STEADY RAIN. He has also directed at many other theatres around the country, including last season’s hit AWAKE AND SING! (Kevin Kline Award nominee) at The New Jewish Theatre. He has served as a panelist and as an on-site evaluator for the Theatre Program for the National Endowment for the Arts, as well as the executive committee and the national negotiating committee for the League of Resident Theatres. He has been on the faculty of the Drama Division of the Juilliard School under John Houseman and is adjunct faculty at Webster University.

Carl Nappa is Executive Director of Technology and Sound Engineering for ex’treme Institute in St. Louis. Carl’s musical journey began with the gift of an acoustic guitar at age 9 from his godfather. Playing rock, funk, R&B and jazz throughout his teen years eventually led him into a recording studio where he developed his appreciation for what happened on the other side of the glass. Mr. Nappa apprenticed with Multi-Grammy award winning engineer, Bob St. John. During that time, they worked with Extreme, the Baby Animals, Dweezil Zappa, Steve Perry, and many others. Those recording sessions took them to Boston, Los Angeles, Miami, New York, and the famed Abby Road Studios in London. Later he joined the Hit Factory recording studios in New York City. There Mr. Nappa had the opportunity to work on sessions ranging from vocal overdubs to eighty-piece orchestras alongside the major pop stars and producers of our time including Arif Mardin, Phil Ramone, Mutt Lange, Al Schmit, Elliot Schiner, Alan Parsons, Ray Bardani, Jerry Brown, Teddy Riley, P Diddy, Wyclef Jean, Kevin Law, and Vincent Herbert. As a producer and recording engineer, Mr. Nappa has over 20 years of recording experience. Widely recognized for his work on both major label and independent records, he most recently served as the Director of Recording for Nelly’s Derrty Entertainment working closely alongside Nelly and other recording artists. Mr. Nappa has been awarded over thirty Gold, Platinum, and Multi-Platinum records as well as being Grammy and Aria nominated as an engineer, mixer, and producer. He has worked with many high visibility artists in the music industry in the Rock, Hip Hop, R&B, Pop, Country, and Jazz genres.

Megan Larche, CSA - Currently Megan serves as the casting consultant for the MUNY in St. Louis. While with Binder Casting, she cast the Broadway revival of Grease, A Chorus Line, The Times They Are A-Changin’, & The Lion King – children's casting; Film: “True Grit” (Paramount Pictures), “Diary of a Wimpy Kid” (20^th Century Fox), “It’s Complicated” (Universal Pictures), “Hairspray” (New Line Cinema); Television: ‘Grease You’re the One That I Want’, ‘Law & Order’: season 20; Web Series: ‘The Underlings’. National Tours: The Lion King – children’s casting; Off-Off Broadway: Yes We Can (Walkerspace), Camp Wanatachi (La Mama ETC), The Realm & Stitching (Wild Project); Regional: Irving Berlin’s White Christmas (SF, Boston, LA, Minneapolis, Detroit), Happy Days, the Musical (Falcon Theater). As a Casting Associate: Broadway shows include Sweet Charity, 42^nd Street, Wonderful Town, & 16 Wounded, as well as 4 seasons of Encores! Great American Musicals in Concert. She can be seen casting in the documentary “Every Little Step” (Sony Pictures Classics). In 2007 she joined Fox Theatricals as Associate Producer. Current projects include Bring It On:The Musical (Nat’l Tour) and TRACES (New York and Nat’l Tour). Additionally, Legally Blonde the Musical (Broadway and Nat’l Tour) and the upcoming Mad Hot Ballroom. She has also produced The Two Lives of Napoleon Beasley and Pvt. Wars while the Co-Artistic Director of the Incumbo Theater Company. Megan has taught master classes and audition seminars at universities, colleges, high schools, and private studios across the country. Proud New York Board Member of the Casting Society of America. Megan is also an accomplished audition coach. Please visit www.meganlarchecasting.com for details.

Mike Isaacson is the Executive Producer of the world famous Muny Opera in Forest Park.

Mike also heads Fox Theatricals with Kristin Caskey. Most recently they won a 2010 Tony Award for Best Play for "Red." In November of 2010, they opened the Seven Fingers production of "TRACES." They produced the current national tour of "Bring It On the Musical" and prior to that "9 to 5 - The Musical". Past productions include: "Legally Blonde -- The Musical", "Thoroughly Modern Millie," "The Seagull", "One Flew Over the Cuckoo's Nest", "'Night Mother", Arthur Miller's "Death of a Salesman", "You're a Good Man, Charlie Brown", "Jekyll & Hyde", "Everyday Rapture" and "The Elaborate Entrance of Chad Diety". Current projects include "Mad Hot Ballroom." Previously Mike presented the U.S. Bank Broadway Series for the past 14 seasons bringing more than 100 Broadway productions to The Fabulous Fox in St. Louis.

Adam Sage is the Founder and Artistic Director of Missouri Ballet Theatre. He has enjoyed a three-decade performing, teaching, coaching and choreographic career that spanned four continents.

Mr. Sage most recently served as Artistic Director of Virginia School of the Arts after directing the School of Nashville Ballet for more than seven years, where he also served as Ballet Master and Company Teacher.He began his stage career at the age of seventeen with the California Ballet in his hometown of San Diego, before moving on to dance with Ballet West, Ballet Memphis and as Guest Artist with Nashville Ballet. Internationally, he has danced with such companies as Hong Kong Ballet, Ballet Philippines, N.A.P.A.C. Dance Company and the National Dance Company of Bophuthatswana in South Africa.Mr. Sage has performed principal roles in all the great classics, including Romeo & Juliet, Swan Lake, Giselle, Nutcracker, Sleeping Beauty, Coppelia, La Bayadere, and Cinderella, and in works by dance luminaries such as John Cranko, Kenneth McMillan, George Balanchine, Ninnette de Valois and Frederick Ashton. He has had the honor of dancing at some of the most prestigious theatres in the world including the Opera House at the Kennedy Center in Washington D.C., The Hong Kong Cultural Center and in command performances at the Cultural Center of the Philippines.Mr. Sage has coached dancers who have participated in the prestigious “Prix de Lausanne International Ballet Competition” in Switzerland as well as the “American Ballet Competition” in Miami, for which he served on the jury panel for the 2007 and 2008 competitions. He was inducted into the “Who’s who among America’s Teachers” in 2005 and 2006 and the “National Honor Roll’s Outstanding American Teachers” in 2006 for his exemplary teaching and dedication to the youth of America.

Semi-final Round Judges March 31, 2012

AMY KAISER has served as Director of the Saint Louis Symphony Chorus since 1995 and is a nationally recognized conductor with a distinguished record of choral, orchestral and operatic performances. A guest conductor with the Saint Louis Symphony and Berkshire Choral Festival, Ms. Kaiser also conducted at Chicago’s Grant Park Music Festival and led over fifty performances with the Metropolitan Opera Guild. Formerly Principal Conductor of the New York Chamber Symphony’s School Concert Series and Music Director of The Dessoff Choirs, Ms. Kaiser has prepared choruses for the New York Philharmonic, Ravinia Festival, Mostly Mozart Festival and Opera Orchestra of New York.

PAUL REUTER is an accomplished musician, is a native of St. Louis and has been the Executive Director of The Sheldon since 1994. He has had compositions performed by the St. Louis Symphony Orchestra and other orchestras around the country. Recently he wrote a commissioned work for orchestra, narrators, and images for the Missouri School of Journalism. He has conducted choruses and orchestras, performed jazz and folk music, and written an opera, music for dance and theater, a film score, had music performed on NPR and the BBC, and composed blues and jazz songs for Grand Center, the Variety Club and a number of St. Louis artists. He was the Executive Director of the Hartford Symphony for nine years before joining The Sheldon.

Betsy Capes, CPCC, founded Capes Coaching in April 2004 with the mission to help New York artists translate the passion they have for their craft to the way they run their business. As the President of Capes Coaching, Betsy has spearheaded the creation of a variety of career-focused services for artists, trained multiple coaches and instructors, and continued to personally coach artists of all backgrounds.

PETER E. SARGENT is the Dean of the Leigh Gerdine College of Fine Arts at Webster University and has been the resident lighting designer for The Repertory Theatre of St. Louis since its inception in 1966. He was the founding Chair of The Conservatory of Theatre Arts at Webster University. Nationally, he is on the Board of Directors of the College of Fellows of American Theatre, past national Board member for Young Audiences, United States Institute for Theatre Technology and the Educational Theatre Association. Locally, he is the President of the Board of Directors for the Professional Theatre Council and Board member for Shakespeare Festival St. Louis, the Insight Theatre Company, and the Arts and Education Council. He is the founder of the MidWest Theatre Auditions and the national college Unified Auditions Program. He also serves as coordinator for the national auditions at the International Thespian Festival.

Marc Gordon is Executive & Artistic Director and a founding member of the Chamber Music Society of St. Louis. Previous to his involvement with the CMSSL, Marc served as English Horn soloist and oboist with the St. Louis Symphony from 1972 – 2005. He performed with the Chicago Symphony Orchestra in that position until 2008 and then with the San Diego Symphony in the same capacity for the 2008-2009 season. A native of Chicago, he was educated at the Chicago Musical College of Roosevelt University and the American Conservatory where he studied with Ray Still and Richard Kanter. Marc was a member of the Grant Park Symphony in Chicago and was appointed to the English Horn position with the Lyric Opera of Chicago. He has also performed with the Milwaukee Symphony. Marc continues to be an active chamber music performer and teacher.

Lee Nolting is the Director of Student Recruitment and Pre-Professional Program as well as Artistic Director or COCAdance. Nolting was trained in St. Louis, Chicago, Las Vegas, Los Angeles and New York. Before her teaching career, Nolting was a professional dancer with Dean Martin's Golddiggers, and numerous local and touring productions. Nolting was fortunate to work with Miss Katherine Dunham in East St. Louis. From 1982 – 1991, she was the ballet mistress, rehearsal assistant, jazz and tap instructor for the Katherine Dunham Museum Children’s Workshop under the direction of Darryl Braddix. It was during this time that Nolting was able to meet and work with Alvin Ailey in connection with the show he staged as a tribute to Miss D, “The Magic of Katherine Dunham” as well as The First Annual Black Dance Festival in Atlanta, Ga. In 2003, Nolting was recognized by the National Foundation for Advancement in the Arts for her encouragement and support of students who have been recognized for their exceptional artistic achievements. Nolting is Artistic Director of COCAdance.

Judges: Preliminary Round	March 10 and March 11
Robbie Montgomery is the owner and resident matriarch of Sweetie Pie's and Sweetie Pie's at the Mangrove, the nationally acclaimed soul food restaurants she founded in her hometown of St. Louis, MO and star of “Welcome to Sweetie Pie’s” on OWN, the Oprah Winfrey Network. Robbie’s restaurants have attracted a popular following among both local St. Louis residents and celebrities alike. Prior to running her own restaurants, Robbie toured the U.S. singing backup for Ike and Tina Turner during the 1960s. Her stint as an Ikette launched a singing career that spanned over 20 years, including gigs as a background singer for The Supremes, Stevie Wonder, James Brown, Pattie LaBelle and The Rolling Stones, among others. When a collapsed lung ended her singing career, she returned to St. Louis to reinvent herself utilizing her other formidable talent -- as a cook. Robbie is picking up speed with plans for her biggest and most ambitious endeavor yet -- Sweetie Pie's: The Upper Crust in Grand Center. Active in charity outreach programs, Miss Robbie helps provide job training to formerly incarcerated men and women and food to those in need.

	Gary F. Bell is Artistic Director of Stray Dog Theatre. Gary has been a theatre professional for more than 30 years. After training in New York City, he joined the American Ensemble Studio Theatre where he studied with director Stanley Harrison. Bell is a member of Actors’ Equity and the American Guild of Variety Artists. He co-founded Stray Dog Theatre in 2003.

Sara Burke is the owner and director of The City Studio Dance Center in St. Louis, Missouri which she founded in 1986. Sara is a choreographer, dancer, dance instructor, photographer, author and diversity arts consultant. She has danced around the world. One of her biggest goals and accomplishments was to learn Dunham Technique from the legendary Katherine Dunham. She studied with Miss Dunham in East St. Louis in the 1970’s and danced with the Dunham Company. Sara is a Commissioner on the Regional Arts Commission (RAC); serves as Secretary of The Regional Arts Commission; serves on the boards of: Dance St. Louis, Diversity Awareness Partnership (DAP), DanceBrazil in New York City and she is also on the National Board of Directors for the Cleo Parker Robinson Dance Company in Denver. Sara is an advisor for Rustbelt to Artist Belt: At the Crossroads and also a member of the Americans for the Arts and a member of the International Association of Blacks in Dance (IABD).

	Marsha Parker, Director of Theatre at Lindenwoood University - Belleville. More information coming soon!

Anthony "Redd" Williams is a St. Louis native who brings cutting edge movement and choreography to the world of hip hop dance. He has performed with the likes of Lady Gaga, Beyonce, Jennifer Lopez, Adidas, Mariah Carey & Corbin Bleu just to name a few. He has choreographed for the likes of Nelly, Starbucks Coffee, P Diddy & has appeared in countless music videos, commercials & live television performances. Redd is currently working for COCA here in St Louis where he is Artistic Director of their Hip Hop Dance Company. He has traveled all over the world teaching Hip Hop dance to thousands of students & is so excited to be back home in St Louis sharing his knowledge and gifts bringing a new Life to the Hip Hop Community.

	Phillip Dunlap is currently Director of Education for Jazz St. Louis, a musician and educator. As a musician, Mr. Dunlap performs throughout the United States and abroad with his own group, the Legacy Jazz Quintet, and as a sideman having performed with musicians such as Jimmy Cobb, Terell Stafford, John Pizzarelli, Houston Person, Harold Jones and Sara Gazarek. Phillip is also a faculty member of American Voices and in the summer of 2009 traveled to Afghanistan where he was artist in residence at Kabul University’s School of Music and at the National Institute for Music. In 2010 he also became Adjunct Professor of Music at the University of Missouri – St. Louis.

Ron Gibbs is a St. Louis native to was a working actor and director in New York City for 16 years until he left in 2002 to become the Managing Director at STAGES ST. LOUIS. Ron was Susan Stroman’s assistant for 7 years, including performing in and assisting Susan on *"Showboat",* for which Ms. Stroman won her second Tony Award. During his stint in New York, Ron was lucky enough to work with the likes of Mickey Rooney, Eartha Kitt, Elaine Stritch, and the irrepressible Carol Channing.

	Jeffery Matthews is the Coordinator of Acting and Directing for the Performing Arts Department at Washington University in St. Louis, where he teaches acting, voice and speech, and directs departmental productions. He was the Artistic Supervisor of The Imaginary Theatre Company, the professional touring company of the Repertory Theatre of St. Louis, from 1989-2009 He has also worked with The Muny, Stages, St. Louis, and Theatre Project Company.

Zoe Vonder Haar is a St. Louis actress and choreographer. She toured in the First International Company of “A Chorus Line” for 2 ½ years before returning to her home town of St. Louis to raise her family. She has since performed in over 75 productions in her career. A resident actress at Stages St. Louis, Zoe also performs regularly at The Muny, The Repertory Theatre of St. Louis and is a member of the “American Musical” which performs throughout the school year at the Sheldon Concert Hall. She received the first Kevin Kline Award for Outstanding Actress in a Musical for her role of Dolly Levi in “Hello Dolly!” and was again nominated for her role of Ms. Pennywise in *“Urinetown the Musical”,* and Mrs. Higgins in “My Fair Lady”. Zoe shares her passion for musical theater by teaching dance and choreographing at 7 area schools.

	Rick Dildine is the Executive Director of Shakespeare Festival St. Louis and the Director of the MFA Arts Management & Leadership program at Webster University. He was most recently Managing Director of Chicago’s About Face Theatre, whose work has been recognized with the Pulitzer Prize and the Tony Award. For seven years he was with the Stephen Foster Theatre in Kentucky, serving as Artistic Director from 2005-2008. From 2006-08, Dildine was the Producer of the Brown University/ Trinity Rep New Plays Festival and Playwriting Coordinator for the graduate playwriting program at Brown University, all under the leadership of Pulitzer Prize-winner Paula Vogel. Rick also spent two seasons as a member of the acting company at the Warehouse Theatre in South Carolina. Rick is a member the Stage Directors and Choreographers Society.

Timothy O’Leary has been General Director of Opera Theatre of Saint Louis since October 2008 and described by Opera News magazine as an "energetic young visionary." Previously, Mr. O'Leary served on the senior management team of New York City Opera, served as Managing Director of New York’s downtown Gotham Chamber Opera, and worked as a fundraiser for Broadway’s Roundabout Theatre Company, New York's Alliance for the Arts, and Theatre for a New Audience. He has also worked as a stage director and assistant stage director for companies including New York City Opera, Glimmerglass Opera, Florida Grand Opera, Opera Colorado, and others. Mr. O’Leary’s training includes an apprenticeship with San Francisco Opera’s Merola Program, graduate studies at Columbia University in Theatre Management, and an undergraduate degree in English and Drama from Dartmouth College.

Amy Scheers is the Director of Dance at COCA, guiding the artistic vision for their three Student Dance Companies (Ballet Eclectica, COCAdance, and COCA’s Hip Hop Crew), as well as the nationally recognized Pre-Professional Dance Program. She is also the creator & artistic director of The Little Dancer, a story ballet that has become a tradition at COCA. Scheers previously was Company Manager & Ballet Mistress for Alexandra Ballet and taught for Alexandra School of Ballet. Scheers began her dance training in St. Louis and performed many principal roles with the Butler Ballet, and went on to perform with Ballet Theatre Pennsylvania under Artistic Directors Trinette Singleton and Nana Badrena. In 1995, she began teaching in New Jersey at Montgomery Dance Arts and assisted in the founding of the Belle Meade Ballet.

	Stellie Siteman, Artistic Director of Max & Louis Productions, is an actress, director and producer whose experience encompasses theater, film, T.V., Cabaret, Print, and Radio commercials both regionally and nationally. She has appeared in the Max & Louis Productions of "It Had To Be You" and "The Lady With All the Answers" Regional Thearecredits: "Unbeatable, The Musical";"Guys and Dolls";"Roman Holiday";"The Music Man"; "Bye, Bye Birdie"; "Mame"; "Fiddler on the Roof"; "Annie"; "Afterplay"; "Fat Men in Skirts"; "Torch Song Trilogy"; *"The Food Chain".* Television credits: Truman (HBO), Inside America's Totally Unsolved Lifestyles (ABC Special)

Scott Schoonover, conductor, founded Union Avenue Opera in 1994 with the intention of giving valuable performance opportunities to talented artists and musicians. He has led UAO to critical acclaim for the past 17 years in over 40 productions and 140 performances. In the 2012 UAO season Mr. Schoonover will conduct performances of Acis and Galatea, Un ballo in maschera and Das Rheingold. He has also appeared with other local opera companies including Muddy River Opera in Quincy, Illinois (The Mikado, L’elisir d’amore and the world premiere of Abe the Musical) and will return to conduct The Merry Widow in May, 2012. Scott has also conducted several productions for Winter Opera St. Louis (Rigoletto, Samson et Dalila, Don Pasquale and Werther), and in 2010 conducted the world premiere of Barbara Harbach’s O Pioneers! at the University of St. Louis, Missouri. Also active as a choral conductor and accompanist Scott is the Artistic Director and Conductor of the newly formed Missouri Women’s Chorus and has appeared with the St. Louis Women’s Chorale, Bel Canto Chorus, Gateway Men’s Chorus. He serves as the Director of Music at Union Avenue Christian Church.

	Ed Reggi is an Emmy award winning actor, emcee, comedian and producer of live theatre. Reggi was raised in the Big Apple and lived across the street from the NBC Studios where he spent most of his youth sneaking on the set of the Bill Cosby Show to learn the ropes from the comic master, Bill Cosby. Reggi mastered improvisational comedy while training at Chicago’s historic The Second City and later with its’ founder Paul Sills. With Sills, Reggi worked with Valerie Harper, Avery Schreiber, Edie McClurg and Fred Willard. He’s a proud member of Actor’s Equity Association and serves on the local Liaison Committee. Professional credits include: *Funny Thing Happened On The Way to the Forum, Fiddler on the Roof, She Loves Me, Camelot, Anything Goes, The Musical of Musicals: The Musical* and *Something’s Afoot*. Reggi is also a proud alum of the Commercial Theater Institute of New York City and was named Artist of the Year by Young Audiences of St. Louis. Today, Reggi is the force behind digital engagement at the St. Louis PBS television station, The Nine Network of Public Media. Through his leadership at the Nine Network, St. Louis community members can develop 21st century communication skills and become empowered to tell compelling stories about themselves and their communities.

Lee Nolting is the Director of Student Recruitment and Pre-Professional Program as well as Artistic Director or COCAdance. Nolting was trained in St. Louis, Chicago, Las Vegas, Los Angeles and New York. Before her teaching career, Nolting was a professional dancer with Dean Martin's Golddiggers, and numerous local and touring productions. Nolting was fortunate to work with Miss Katherine Dunham in East St. Louis. From 1982 – 1991, she was the ballet mistress, rehearsal assistant, jazz and tap instructor for the Katherine Dunham Museum Children’s Workshop under the direction of Darryl Braddix. It was during this time that Nolting was able to meet and work with Alvin Ailey in connection with the show he staged as a tribute to Miss D, “The Magic of Katherine Dunham” as well as The First Annual Black Dance Festival in Atlanta, Ga. In 2003, Nolting was recognized by the National Foundation for Advancement in the Arts for her encouragement and support of students who have been recognized for their exceptional artistic achievements. Nolting is Artistic Director of COCAdance.

Gene Dobbs Bradford has been the Executive Director of Jazz St. Louis since February 1999. Mr. Bradford has received many honors, including the St. Louis Business Journal’s “40 Under 40,” “Most Influential People in St. Louis” and “Inclusive Leadership” awards. Under his leadership, Jazz St. Louis received the 2006 “Excellence in the Arts” award from the Arts and Education Council of Saint Louis and its flagship program “Jazz at the Bistro” was named one of the ten great jazz clubs in the country by Wynton Marsalis in USA Today. He holds a bachelor’s degree in double bass performance from the Eastman School of Music and an MBA from Washington University. From 1994-99, he was Director of Operations for the Saint Louis Symphony Orchestra	Scott L. Schoonover is excited to be back in St. Louis working as a freelance Designer and Mask Craftsman. Scott holds a BA from Saint Louis University and an MFA from the University of Iowa. His work has been seen on stages in Tulsa, St. Louis, Iowa City, Massachusetts, and Chicago. In St. Louis he has worked with Shakespeare Festival St. Louis, St. Louis Shakespeare Co., The MUNY, SIUE, and most recently the scenic painter for The New Jewish Theatre’s The Last Night of Ballyhoo. As a Mask Maker Scott has studied traditional Balinese Mask Carving in Indonesia and leather mask creation in Chicago and Bali. He crafts masks for theatrical and commercial interests. Additionally Scott has developed a Mask Making and Performance workshop that he travels to local St. Louis schools. You can check out more of his work at www.sls-creations.com.